Texture: music symbols explained
18 symbols and terms, each explained in a sentence or two — the same dictionary the free Artform score reader uses when you tap a marking on a real score.
▶ Learn these with flashcards, freeSpaced-repetition decks in the browser. No sign-up.
- Monophony
- One line and nothing else. A tune sung alone.
- Homophony
- A tune with accompaniment: one line leads and the rest supports. Most songs, and most piano music.
- Polyphony
- Several independent lines at once, each worth following. Bach's usual habit.
- Counterpoint
- The craft of writing those independent lines so they fit. Polyphony is the result; counterpoint is the doing of it.
- Imitation
- One line copies another a moment later. The start of every canon and most fugues.
- Canon
- Strict imitation all the way through. Row, Row, Row Your Boat is one.
- Fugue
- A subject stated alone, then answered by each voice in turn, then developed. The most demanding thing counterpoint does.
- Obbligato
- A part that is not optional. Written out and required, as opposed to something a player might improvise.
- Heterophony
- The same tune played simultaneously in slightly different versions. Common outside Western music and rare inside it.
- Antiphony
- Two groups answering each other from different places. Built into Venetian church music, and into every call and response since.
- Drone
- A note held underneath everything, unchanging. Bagpipes, hurdy-gurdies and half of modern film scoring.
- Doubling
- The same line played by more than one voice or instrument, often an octave apart. It thickens without adding a new part.
- Register
- Which part of the instrument's range a line sits in. The same notes an octave up are a different colour, not just a higher pitch.
- Tessitura
- Where a part mostly lives, as opposed to the extremes it touches. A singer's comfort is decided by tessitura, not by the top note.
- Melody and accompaniment
- The plainest homophony: one line to be heard, everything else supporting it. Balancing the two is most of what piano practice is.
- Contrary motion
- Two lines moving in opposite directions. The clearest way to keep them sounding independent.
- Parallel motion
- Two lines moving the same way by the same distance. Parallel fifths were forbidden for centuries precisely because they fuse two voices into one.
- Imitative texture
- Voices entering one after another with the same idea. The opening of any fugue.