Edward - 2 Songs Op. 60 No. 2 - The River, by Elgar
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Get the practice plan for Edward - 2 Songs Op. 60 No. 2 - The River
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- Hear it through at Slow (70 bpm). Open it in the reader, choose Slow, and follow the page with your eyes without playing. As it plays, count 2 to the bar.
- Learn the right hand of bars 1 to 8 on its own, in B♭ major. Say the note names out loud the first time through, then play it three times without stopping.
- Find the chords under it: Gm7, Em7♭5, F7 and Gm. Play each one as a block in your left hand and say its name, so you know what the harmony is before the left hand has to move.
- Learn the left hand of the same bars on its own. Keep it quiet and even: it is the floor the tune stands on.
- Put hands together at Slow, 70 bpm. Bars 1 to 8 only. Stop after every wrong note and play that bar again before moving on.
- Move up to Steady (106 bpm) once Slow feels easy three times in a row. Then learn the next 8 bars the same way: right hand, left hand, together.
- Play the whole piece (about 3 minutes) from the start, at whatever speed keeps it going. A steady run with a few slips beats a fast one that stops.
What kind of piece this is
This began as a song with a singer, and on the piano the melody line is the voice. Elgar was largely self-taught and wrote the most English music of his generation while feeling like an outsider to it.
How to play it
Shape the tune with a singer's breath, and never let the accompaniment cover it.
Reading it, and printing it
The score opens in Artform's reader, which shows the music as engraved notation and plays it back so you can hear the line before you try it. You can slow the tempo down, loop a passage that is not working yet, and print the page when you would rather have paper on the stand.
The file itself is MusicXML, which MuseScore, Sibelius, Finale and Dorico all open, so the notes are yours to keep whatever you read them in.
More free Elgar sheet music
Who Elgar was
English composer, almost entirely self-taught in an era when that alone made him an outsider to Britain's musical establishment, who became the first English composer in over two centuries to earn international standing to rival the Germans. The Enigma Variations, each movement a musical portrait of one of his friends, made his reputation overnight in 1899; the Cello Concerto, written in the shadow of the First World War, is now one of the most performed works for the instrument. His Pomp and Circumstance March No. 1, written as a concert piece, has since become inescapable at graduation ceremonies worldwide, a fate he reportedly found faintly bemusing.
Learn the music behind it
Reading a piece and understanding it are different skills. If you want the harmony under this one, the chord trainer teaches chords the way songs use them, and the scale pages cover the fingering for every key, including B♭ major.