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Bitteres zu sagen denkst du, by Brahms

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ComposerBrahms
KeyF major
Time4/4
Lengthabout 1 minute
Sheet musicFree · public domain
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About this piece

Bitteres zu sagen denkst du is a song by Johannes Brahms (1833 to 1897), from 9 Lieder und Gesänge, Op.32, to words by Georg Friedrich Daumer. It was written for voice and piano; here the singer's tune is folded into the top of the right hand, over the piano's own part, so one player gives the whole song. The first verse of the German words sits under the tune.

How to play it

Let the tune sing out on top of the right hand and keep the notes under it lighter, as a singer would be heard over the piano. Where the voice rests, the introductions and interludes are exactly as the composer wrote them.

Reading it, and printing it

The score opens in Artform's reader, which shows the music as engraved notation and plays it back so you can hear the line before you try it. You can slow the tempo down, loop a passage that is not working yet, and print the page when you would rather have paper on the stand.

The file itself is MusicXML, which MuseScore, Sibelius, Finale and Dorico all open, so the notes are yours to keep whatever you read them in.

More free Brahms sheet music

8 Lieder und Gesänge Op. 59 No. 2 - Auf dem See E major · 2 min 8 Lieder und Gesänge Op. 59 No. 3 - Regenlied F♯ minor · 4 min 9 Lieder und Gesänge Op. 63 No. 8 - Heimweh II E major · 2 min 9 Lieder and Songs Op. 32 No. 1 - Wie rafft ich mich auf in der Nacht F minor · 3 min 51 Übungen für Klavier No. 1a D major · 2 min 51 Übungen für Klavier No. 1b D major · 2 min

All 100 Brahms scores →

Who Brahms was

German composer who idolized Beethoven so completely that he waited until he was forty to publish his first symphony, terrified of the comparison, famously grumbling about "the giant marching behind me." A close friend, and by many accounts a great unspoken love, of Clara Schumann's, he supported her and her children after Robert Schumann's death and stayed devoted to her for the rest of his life. He never married. His music, disciplined, autumnal, built on Classical forms but full of Romantic warmth, culminated in the technically formidable, deeply intimate late piano pieces of his Op. 118 and 119, written when he suspected, correctly, that his own life was nearing its end.

Learn the music behind it

Reading a piece and understanding it are different skills. If you want the harmony under this one, the chord trainer teaches chords the way songs use them, and the scale pages cover the fingering for every key, including F major.