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Arabesque No. 1, by Debussy

Every score here is public domain, free to read, print and keep. Open it in the browser and it plays, at whatever tempo you can read it.

ComposerDebussy
KeyE major
Lengthabout 4 minutes
Sheet musicFree · public domain
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About this piece

An arabesque is an ornament: a line that curls for the pleasure of curling. The young Debussy took the word from painting and made the piano do it, triplets pouring against pairs until the bar line almost dissolves.

How to play it

Let the triplets flow against the twos without accenting either: the blur between them is not a mistake, it is the perfume.

Reading it, and printing it

The score opens in Artform's reader, which shows the music as engraved notation and plays it back so you can hear the line before you try it. You can slow the tempo down, loop a passage that is not working yet, and print the page when you would rather have paper on the stand.

The file itself is MusicXML, which MuseScore, Sibelius, Finale and Dorico all open, so the notes are yours to keep whatever you read them in.

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Who Debussy was

French composer often filed under Impressionism, a label borrowed from painting that he actually resented, preferring to think of his music as its own thing entirely: harmony built for colour and mood rather than the traditional pull toward resolution. He won the prestigious Prix de Rome, hated the experience, and spent the rest of his career quietly dismantling the rules he'd been trained in. Clair de Lune and the two books of Préludes, with titles like "Footsteps in the Snow" and "The Sunken Cathedral," ask a pianist to think less about hitting the right note and more about the shape of a sound in the air. He died during the First World War, as German shells fell on Paris, still revising h…

Learn the music behind it

Reading a piece and understanding it are different skills. If you want the harmony under this one, the chord trainer teaches chords the way songs use them, and the scale pages cover the fingering for every key, including E major.