Peer Gynt Suite No. 1, Op. 46: II. Åse's Death, by Grieg
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Get the practice plan for Peer Gynt Suite No. 1, Op. 46: II. Åse's Death
Here it is. Check your inbox for day 1.
- Hear it through at Slow (29 bpm). Open it in the reader, choose Slow, and follow the page with your eyes without playing. As it plays, count 4 to the bar.
- Learn the right hand of bars 1 to 8 on its own, in B minor. Say the note names out loud the first time through, then play it three times without stopping.
- Learn the left hand of the same bars on its own. Keep it quiet and even: it is the floor the tune stands on.
- Put hands together at Slow, 29 bpm. Bars 1 to 8 only. Stop after every wrong note and play that bar again before moving on.
- Move up to Steady (43 bpm) once Slow feels easy three times in a row. Then learn the next 8 bars the same way: right hand, left hand, together.
- Play the whole piece (about 3 minutes) from the start, at whatever speed keeps it going. A steady run with a few slips beats a fast one that stops.
About this piece
Grieg wrote music for Ibsen's play Peer Gynt and later gathered the best of it into two suites. Åse's Death, the music for the death of Peer's mother, was written for muted strings; this is a piano version of it printed in 1893.
How to play it
Play the chords as if they were bowed: smooth, joined and very quiet, with the pedal changing cleanly as the harmony moves. Let the long crescendo grow slowly.
Reading it, and printing it
The score opens in Artform's reader, which shows the music as engraved notation and plays it back so you can hear the line before you try it. You can slow the tempo down, loop a passage that is not working yet, and print the page when you would rather have paper on the stand.
The file itself is MusicXML, which MuseScore, Sibelius, Finale and Dorico all open, so the notes are yours to keep whatever you read them in.
Edition: Mutopia Project, in the public domain. Converted to MusicXML by Artform and checked note for note against the original.
More free Grieg sheet music
Who Grieg was
Norwegian composer who became, more than anyone else, the voice of Norwegian music on the world stage, at a time when Norway itself was pushing for a national identity apart from Denmark and Sweden. His Piano Concerto in A minor, written when he was just twenty-four, remains one of the most beloved concertos in the repertoire; the incidental music he wrote for Ibsen's play Peer Gynt, including "Morning Mood" and "In the Hall of the Mountain King," is some of the most recognizable music ever composed. Away from the big commissions, his ten books of Lyric Pieces for solo piano, small, folk-inflected miniatures written across his whole career, work almost like a musical diary.
Learn the music behind it
Reading a piece and understanding it are different skills. If you want the harmony under this one, the chord trainer teaches chords the way songs use them, and the scale pages cover the fingering for every key, including B minor.