ARTFORM
Artform / Sheet music / Liszt / Apparitions - No. 3 (Fantasy on a Waltz by)

Apparitions - No. 3 (Fantasy on a Waltz by), by Liszt

Every score here is public domain, free to read, print and keep. Open it in the browser and it plays, at whatever tempo you can read it.

ComposerLiszt
KeyE♭ major
Time4/4
Lengthabout 6 minutes
Sheet musicFree · public domain
Open the score free
Opens in the reader: no sign-up, no download needed. Written at about 120 bpm, and you can slow it down.

Get the practice plan for Apparitions - No. 3 (Fantasy on a Waltz by)

Free. No card. The practice rooms are free forever.

What kind of piece this is

A waltz is in three, and is felt as one swing to the bar rather than three separate beats. Liszt invented the piano recital as we know it, playing from memory, alone, sideways to the audience so they could watch his hands.

How to play it

Put the weight on beat one and keep beats two and three lighter and closer together than they look on the page.

Reading it, and printing it

The score opens in Artform's reader, which shows the music as engraved notation and plays it back so you can hear the line before you try it. You can slow the tempo down, loop a passage that is not working yet, and print the page when you would rather have paper on the stand.

The file itself is MusicXML, which MuseScore, Sibelius, Finale and Dorico all open, so the notes are yours to keep whatever you read them in.

More free Liszt sheet music

Nocturne n3 Rêve d'Amour F major · 2 min Consolation No. 4 in D-flat major D♭ major · 3 min Paysage from Transcendental Études F major · 5 min Les Adieux Rêverie from the Opera Romeo and Juliet F major · 9 min Apparitions - No. 1 F♯ major · 5 min Consolation No. 3 in D Flat Major S 172 D♭ major · 4 min

All 24 Liszt scores →

Who Liszt was

Hungarian composer and, by nearly every account, the greatest virtuoso pianist of the 19th century, so magnetic in performance that audiences reportedly fainted, a phenomenon a contemporary dubbed "Lisztomania." He invented the symphonic poem, transcribed entire symphonies and operas for solo piano so audiences without an orchestra nearby could still hear them, and pushed piano technique into territory no one had mapped before. In his forties he abruptly gave up the touring life, took minor holy orders, and spent his later years writing sparer, stranger, more prophetic music that wouldn't be fully understood for decades. He was also a famously generous teacher, refusing to charge the young p…

Learn the music behind it

Reading a piece and understanding it are different skills. If you want the harmony under this one, the chord trainer teaches chords the way songs use them, and the scale pages cover the fingering for every key, including E♭ major.