Dance of the Sugar Plum Fairy, by Tchaikovsky
Every score here is public domain, free to read, print and keep. Open it in the browser and it plays, at whatever tempo you can read it.
Get the practice plan for Dance of the Sugar Plum Fairy
Here it is. Check your inbox for day 1.
- Hear it through at Slow (35 bpm). Open it in the reader, choose Slow, and follow the page with your eyes without playing.
- Learn the right hand of bars 1 to 8 on its own, in E minor. Say the note names out loud the first time through, then play it three times without stopping.
- Find the chords under it: Em, E7, Edim7 and Em7. Play each one as a block in your left hand and say its name, so you know what the harmony is before the left hand has to move.
- Learn the left hand of the same bars on its own. Keep it quiet and even: it is the floor the tune stands on.
- Put hands together at Slow, 35 bpm. Bars 1 to 8 only. Stop after every wrong note and play that bar again before moving on.
- Move up to Steady (53 bpm) once Slow feels easy three times in a row. Then learn the next 8 bars the same way: right hand, left hand, together.
- Play the whole piece (about 2 minutes) from the start, at whatever speed keeps it going. A steady run with a few slips beats a fast one that stops.
About this piece
Written for the celesta, an instrument so new Tchaikovsky had it smuggled into Russia so no rival would hear it first. The tune is the sound of tiptoeing made music.
How to play it
Staccato everywhere, and quiet: play it as if the keys were cold water.
Reading it, and printing it
The score opens in Artform's reader, which shows the music as engraved notation and plays it back so you can hear the line before you try it. You can slow the tempo down, loop a passage that is not working yet, and print the page when you would rather have paper on the stand.
The file itself is MusicXML, which MuseScore, Sibelius, Finale and Dorico all open, so the notes are yours to keep whatever you read them in.
More free Tchaikovsky sheet music
Who Tchaikovsky was
Russian composer whose ballets, Swan Lake, The Nutcracker, Sleeping Beauty, did more than any other music to make ballet the art form audiences recognize today, though Swan Lake was actually considered a failure at its premiere and only found its now-famous choreography years after his death. He corresponded for over a decade with a wealthy patron, Nadezhda von Meck, who funded him generously on the condition that the two never meet in person, a strange, intense relationship conducted almost entirely by letter. His symphonies and the Piano Concerto No. 1 carry an emotional directness that made him hugely popular in the West even during the Soviet era, when much Russian art struggled to cross…
Learn the music behind it
Reading a piece and understanding it are different skills. If you want the harmony under this one, the chord trainer teaches chords the way songs use them, and the scale pages cover the fingering for every key, including E minor.